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Message #01753
Re: Use cases for volume control
2010/5/4 Martín Soto <donsoto@xxxxxxxxx>
> Hello everyone:
>
> I just tried to collect some use cases (user stories) based on our recent
> discussion about volume control. Here they are:
>
> * Mary often listens to music from the computer in her room, while
> she's chatting with friends and browsing the web. She needs
> a quick way to set the volume to adapt it to her mood and to the
> recording level of the current song.
>
This case is flawed. We can automate this. Mary shouldn't have to give two
flips about the volume of her IM client sounds. Mary just wants to listen to
music, and be alerted when her friend Jane sends her a new message. What the
hell does volume of an IM client mean anyway? That idea in itself is
confusing.
This use case should be adapted to target some changes to pulseaudio. Pulse
should be able to identify transient streams, such as IM notification
sounds, and adjust their volume to be audible above the other currently
playing streams, without blowing out Mary's ears. Now Mary is just happy,
and didn't have to do anything.
* Betty frequently uses an Internet telephone application to
> communicate with her daughter, who lives overseas. She needs an
> expedite way to set the playback volume of the phone program to
> adapt it to the amount of noise in the surrounding environment as
> well as to variations in communication quality.
>
Yeah, definitely.
> * Javier works at home and uses Internet chat intensively to
> communicate with colleagues and clients. Since this is part of his
> job, it is very important for him to hear the audible signals when
> chat messages arrive. He's often worried about playing music from
> the computer because he fears that the music may prevent him from
> noticing an important message.
>
What's the difference between this case and Mary's case?
> * Gerhardt listens to music from his office computer all day while
> he's working. If the telephone rings (Gerhard uses both the
> telephone in his desk and an Internet phone application) or someone
> knocks on the door, he's glad to have a quick way to mute the music
> for a while until the conversation is over.
>
Yeah, definitely.
> * Axel spends hours every evening talking with his girlfriend on the
> Internet phone. Sometimes, he wants to play music while he's
> talking, and would appreciate to have an easy way to set up the
> volume so that he can listen to the music without missing parts of
> the conversation.
>
I think Axel's girlfriend would prefer him paying full attention to her, but
it's their relationship, not mine .. :P
This is pretty much the same as Betty's.
* Karolina loves playing games from the Internet, but often finds
> their music abhorrent. She would like to be able to mute the music
> (and eventually listen to her own music) while still being able to
> play the game.
>
Yeah, I guess can get down with this. The issue here is that Karolina is
almost definitely going to just adjust the volume present in the game on the
internet, she probably won't think "oh I should turn down firefox".
These were certainly helpful. I think you've nailed a lot of the sound
related use cases.
I think the take home message of this is that there are two distinct types
of sound streams. I'm going to use the analogy we've been using in
notifications- Synchronous and Asynchronous.
- Synchronous streams are those that are user initiated. Banshee, Empathy
Voice/Video chat, Youtube videos, etc. Streams that come from explicitly
user initiated actions.
- Asynchronous streams are those that are *not* user initiated, and are
triggered by environment events. Incoming IM sounds, alert noises.
Asynchronous streams should be handled by the system, but we should design a
means of allowing users to adjust the volume of synchronous streams.
--
--Alex Launi
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